If it comes to 19 hours we see a first play

It is known that today have an evil madman to the public. Next happy career of Yasmina Reza and Eric - Emmanuel Schmitt, how many failures or success of opinion without large attendance for the desperados of writing! There are too many proposals, and spectators tend to withdraw to safe values. Yet, at the beginning of the season, a young author was able to convince and seduce: Florian Zeller, twenty-eight years, which, with its third exhibit, "If you dying", is one of best school hearings. It enjoys unparalleled distribution: Catherine Frot, one of the favourite actresses French, Robin Renucci, Bruno Putzulu and Chloé Lambert. But first, there is the quality of the comedy, which seizes our daily truths and breaking up into a virtuoso construction.

Zeller has imagined that a man died in an accident without leaving traces on his real life. His wife is found with this phantom and uncertainty. He shared his life with another woman There is no evidence of her infidelity, but disturbing elements back the poor widow who embarks on an investigation double and this is the originality of Zeller, Michel Fagadau finely staged the puzzle: it queries both the living and the dead. The scenes which follow through in a learned disorder present and memories. The author constructed his Maze in a certain lineage with Pirandello and Pinter, but he successfully founded its mystery on several keys, one of which is opposite of conventional wisdom: humans research the truth at the end of his quest he turns back and prefer the lie.

Adjani proves tragédienne

Another writer finally meeting success in Paris, it is... Woody Allen. Part adaptation distant and very free to one of his comedies by Francis Perrin, parts of the filmmaker had rather been flops in France. But, with "Adultery" and staged very nervous of Benoît Lavigne, the King of laughter psy, jazz musician of the abusive situations, Pierrot lunaire JMC jungle is welcomed triumphantly by spectators of a capital who long preferred the spirit to humour. Yet, the menu suggested by the workshop is a bit complicated to decipher. If it comes to 19 hours, we see a first play. If it comes to 21 hours, we see two other parts. The best is to take the whole package, it is not wrong program! The actors (the astonishing Xavier Gallais, Pascale Arbillot, Valerie Karsenti...) are not Decliners but they play with a perfect timing these quarrels of torque, which, on the Hudson, give their place to the madness of the murderous words.

On the show with Isabelle Adjani, which will end on 31 December, he settled at the head of the revenue. "The last night for Mary Stuart", Wolfgang Hildesheimer, could create misunderstandings. Expected to an exhibit visit history in a way from the NPT in the past, une une put in l' en l' d' un chatoyante d' a d' un chatoyante shimmering, and it falls on a night that evokes the representations Out of his solitary confinement, the Queen Mary Stuart confronts once his friends and his enemies, his supporters and his executioners, and then goes out to the death: Adjani plays innocence struggling in a knot of vipers. Pearl and beaded, she pitched, staggering, resists, is right. Found a tragédienne. Directed by Didier Long allows him to operate gifts that had concealed an eternal image of ingenue. His voice is, it is serious, involved. Finally, the exhibit has supported replicas from the overtones to fashion today, no matter! Isabelle Adjani, surrounded by good actors (a dozen!), explore a new area of emotion that she carries and does point of missteps in his mythical path.